William Faulkner correlated with his Light in August Essay

William Faulkner correlated with his Light in August - Essay Example The story "Light in August" was first named by Faulkner as the "Dark House" and was officially published on October 9, 1932. It is considered that the origin of the "Dark House" was due to the frustration Faulkner felt within himself after the death of his beloved daughter; nothing stopped Faulkner from going wild because of her daughter's death. It was Faulkner's depression that his creation of "Joe Christmas" revolves around identity framed provocatively in terms of displaced persons in a culture that set an exceedingly high premium upon everyone having a place and staying in it according to race, sex, and class. Joe Christmas was a child born of a white mother but who could never know his race because no one really knew whether his father was black or white. In the end Joe Christmas was sacrificed, and his death represents something of compensation for the social sins of others. One feels that he found his place in dying for their salvation, as he always remained skeptical about his identity. (Williamson, 1993). Faulkner portrays a white man whose "black blood" has in effect been imposed on him by external forces. Nothing in Joe's appearance indicates that he is anything but white, to the point where he is able throughout the novel to move easily in white society without anyone suspecting him as black. Even at the barbershop where he is given close attention to his face and hair, possessing all physical signs of Negro origins, easily detectable, no one recognizes him as the "nigger murderer" carrying a price on his head. Despite of having physical features of a nigger, people don't consider and accept him as a nigger of that town and it often happens that Joe is referred to as "Joe, the white nigger" an obvious oxymoron in the 1930s South. In Robert Penn Warren's words, "Faulkner here undercuts the official history and mythology of a whole society by indicating that the 'nigger' is a creation of the white man." (Singal J., 1997) Joe, the son of a sinful Southern white girl and a carnival dark man, possibly a Mexican considers his father to be partially black, or he might not have been black at all. The crucial factor was that neither Joe nor anyone else could ever know with certainty whether he was black or white in a society in which everything began with that definition. Faulkner has created Joe Christmas as a hostile vagrant, a person who remains unsure of him and who tries to find out his racial identity. Faulkner has made Christmas a disputed and lonely character who, has been viewed as an intense example of modern urban estrangement. He is constantly seeking his identity and always negate the society for the rules the society possesses. He depicts the picture of an all-alone isolated personality who is expecting the society to change for him. At times Joe is wearing dress, white shirt with black pants, which suggests his internal division. And this divided character may even symbolize the racial confli ct of the South as a whole. Faulkner has painted Joe in such a manner right from his infancy to adolescence, that it is clear that

Tactics to reconstruct the completed buildings due to shifting of Case Study

Tactics to reconstruct the completed buildings due to shifting of project layout by the government agency - Case Study Example As the 5 individual buildings were privately owned and the external road works was under the auspices of the government, it means that the real situation at hand had to do with an amicable private-public sector engagement. A major climax of the private-public sector engagement came about when the client who is on the government side issued notice to the contractor to re-establish the settings of the all the 5 buildings to ensure that they do not conflict with the external road. It is important to note that construction had also started for all the buildings. Once the notice was received by the contractor to re-establish the settings of the road, he engaged with the owner and informed him about the demolition, a situation that merited claim for additional time and cost for the project. As a person tasked with the responsibility of Senior Contracts Administrator, I had a role of reporting to contractors Project Manager. This means that my role was very crucial in ensuring a successful engagements and negotiations between the owner and the contractor. The private-public sector engagement widened the stakeholder base of the project, giving rise to both external and internal stakeholders. Externally, representations from the GRA, beneficiaries of the external road, financiers and third party quality control administrators on the project were all stakeholders. Internally, the project owner, people living in the community, contractor, all employees under the cont ractor, including project manager, and other internal auditors and inspectors were part of the project’s stakeholders. Given the nature of the stakeholders, the stakeholder theory which sees the true ownership of a project as belonging to all people who may be directly or indirectly affected by the project applied. As part of the principles of construction and